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李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

由 新浪家居 發表于 運動2022-07-06
簡介The designer reorganizes the structure on the basis of the building structure, using natural synthesis concepts, humaniz

raysonic;physical怎麼讀

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

——

Calm and strange is this evening hour in the forest,

寂靜又陌生,此刻林中的夜晚,

Carven domes of green are the trees by the pathway,

路邊的大樹,雕刻綠色的穹頂,

Infinite shadowy isles lie silent before me,

無比幽暗的島嶼靜臥在眼前,

Summer is heavy with age, and leans upon Autumn。

夏日一天天地沉重,斜倚著秋。

All the land is ripe。 There is no motion。

大地熟透了,不見一絲波瀾。

Down the long bays of blue that those cloudy headlands,

沿著長長的藍色海灣,海岬陰沉沉,

Sleep above in the glow of a fading sunset。

沉睡在消退中的落日餘暉裡。

All things rest in the will of purpose triumphant。

一切長眠於此,得意洋洋。

Outlines melting into a vague immensity。

茫茫然,融入一片無限之中,

Fade, the green gloom grows darker, and deeper the dusk,

消散,青色的幽暗更深,薄暮更重了:

Hark! a voice and laughter—the living and loving!

聽吧!笑聲與歌聲——生活與愛!

Down these fantastic avenues pass like shadows。

彷彿影子一般,穿過美妙的林蔭道。

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

▲李忠光RAYSONIC廣州旗艦館設計稿

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

2019年九月初RAYSONIC邀約李忠光為其廣州旗艦館操刀設計。RAYSONIC表示他們是臺灣知名本土品牌,之前專案由唐忠漢、工一設計等設計名師操刀 ,並藉此表達了希望可以找到有知名度、有影響力的設計師操刀設計,藉助設計師的品牌影響力讓RAYSONIC在羊城落地生根的美好景願。

Early September 2019,RAYSONIC invited Mr。 Li Zhongguang to design for the Guangzhou China flagship pavilion。 The representative said “RAYSONIC is a well-known local brand in Taiwan, which the previous projects are designed by famous designers such as Tang Zhonghan and Gongyi Design Studio and so on。” Meanwhile, The representative expressed the hope that they would like to invite a famous, influential designer to do the task, with the help of the designer‘s brand influence let RAYSONIC take root in Yangcheng。

在RAYSONIC的這個專案設計中,李忠光將“大海與山川”移至室內,可謂是“愚公移山”之志。設計師在建築結構基礎上進行結構重組,利用自然的合成觀念、人性的空間設計、文化意象的細節表現、地方的人文風格的塑造去論證:即使設計掣肘於現實,我們也可以穿梭於“疏影橫斜水清淺,暗香浮動月黃昏”的意境世界。

In the design of RAYSONIC, Li Zhongguang moved the “ocean and mountains” to indoor, which can be described as the “Yugong moving mountains”。 The designer reorganizes the structure on the basis of the building structure, using natural synthesis concepts, humanized space design, cultural image details, and local humanistic style to demonstrate that even if the design is constrained by the reality, we can shuttle the imaginative world of “Sparse shadows sway in the clear and shallow water, and scented fragrance floats around under the dusk moon.”

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

色彩可以改變空間的大小,而在此案中是最好的論證,在橫向和縱深處使用了大面積的黑色材質,以黑色做空間的”器“,藉由深色給人帶來的下墜感,拓展“空間”,佐以淺色再把受眾的視線拉回到一個平面上來。由此,您的視覺感可由2D、3D中任意切換,就如攝影機的聚焦成像,受眾所關注的焦點不同,那你看到的”像“也會不盡相同。目之所及為像,目之未及為虛鏡,虛實相生,誘人遐想,漸而神往。

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

設計師使用光、色彩、質地和Raysonic獨有的元素,以期在空間設計中獲得各種各樣的效果。

The designer uses light, color, texture and Raysonic-unique elements, hoping to obtain a variety of effects in the space design。

透過材質的交替,色彩與光影的變換,使空間給人一種節奏感,而這種節奏感的形成在室內設計中也可用來減少雜亂感。

Through the alternation of material quality, the transformation of colour, light and shadow, make the space gives a kind of rhythm feeling to the audiences, and the formation of this kind of rhythm feeling also can be used to reduce randomness in interior design。

在建立這種空間”節奏感“時,設計師必須精確拿捏主題,並設計得符合“邏輯”,去支援每位獨立個體的各自賞悅,讓受眾時刻對設計的美感保持警惕,從而感知到空間帶來的情緒。

When creating such a “rhythm” of space, the designer must precisely grasp the theme and design it in accordance with “logic” to support the enjoyment of each independent individual, so that the audiences can always vigilant about the beauty of the design, and perceive the emotions brought by space。

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

“品牌的成功及美譽度不是建立在建築或是空間設計之上的,但是很多品牌的失敗卻是由於忽視了空間設計關係的力量,由此可見空間設計對於品牌效益舉足輕重。”

No brands succeed based on their architecture or space design, while many of the fail as a result of inattention to the power of spatial relationships。

商業空間設計盲目角逐於利用率,一個是要面對一線城市寸土寸金的現實,二是掣肘於其商業屬性的本質,卻不曾想:“好的設計,不僅要有物理空間,更應該有精神空間,或許這是所謂‘無用’的奢侈,卻更能打動人心。

Commercial space design blindly compete in the utilization rate, which is because of the reality of the high market rental in first-tier cities that the designers have to face, and is constrained by the nature of its commercial attributes。 But most designers never thought: “a good design, not only have to meet physical space, but also need spiritual space。 Perhaps it is the so-called ’useless‘ luxury, but it is more touching。

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

李忠光×RAYSONIC體驗館|大海與山川,無用之奢侈

作品資訊

Name | 專案名稱

李忠光×RAYSONIC

Location | 專案地點

Guangzhou, China | 中國廣州

Interior Design | 主案設計

Li Zhongguang | 李忠光

Cooperative Design | 協作設計

CHASING DESIGN 啟呈 深化設計部

Interior Design | 室內設計

李忠光設計事務所

Soft Decoration | 軟裝設計

CHASING DESIGN 啟呈

Photographer | 攝影

Huang Miangui 黃緬貴 | 貴建築攝影

Construction Unit | 施工單位

CHASING DECORATION | 廣東啟呈裝飾工程有限公司

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